We thank, Spinello Projects, Miami, and their staff for there kind help, we also thank the artist for there creative phenomena.
Spinello Project, Presents Jared McGriff, " Alone, Together ", 2019
Spinello Projects is excited to announce the debut solo show, Alone, Together, by Miami-based artist Jared McGriff. The exhibition runs through October 31st, 2019.
Quiet is as kept.
McGriff uses imagined ...portraiture and landscape to explore the relationships between people and their environment. A suite of over twenty paintings on paper and canvas seek to generate questions and conversation about how we perceive intimacy and familiarity. McGriff’s gestural use of multiple paint mediums composes portraits based on memories, set in blank spaces, creating narratives in the viewer’s imagination.
McGriff is concerned with people feeling belonging in the world, and recording that transient feeling. Moments where impermanence threatens communal connections, whether willful or not, are central to these paintings. The individual, is pinned in contrast to the group, where the group is made up of individuals; each person is struggling to belong and hold their social relationships as closely as they have to hold on to their self. His loose handling of his materials recalls a face of someone in our own memories, reflecting back at us.
McGriff states, “spontaneous communion between memory fragments and materials...develop narratives about how the individual relates to the group.” Alone, Together reaches towards what’s familiar, through these portraits and stories, to ask what’s more important to us, connecting deeper with ourselves or with each other?
Exhibition on view 09.06.19 through 10.31.19.[+] Show More
Spinello Project, Presents Jared McGriff, " Alone, Together ", 2019
Spinello Projects is excited to announce the debut solo show, Alone, ...
Spinello Projects is excited to announce the debut solo show, Alone, Together, by Miami-based artist Jared McGriff. The exhibition runs through October 31st, 2019.
Quiet is as kept.
McGriff uses imagined ...portraiture and landscape to explore the relationships between people and their environment. A suite of over twenty paintings on paper and canvas seek to generate questions and conversation about how we perceive intimacy and familiarity. McGriff’s gestural use of multiple paint mediums composes portraits based on memories, set in blank spaces, creating narratives in the viewer’s imagination.
McGriff is concerned with people feeling belonging in the world, and recording that transient feeling. Moments where impermanence threatens communal connections, whether willful or not, are central to these paintings. The individual, is pinned in contrast to the group, where the group is made up of individuals; each person is struggling to belong and hold their social relationships as closely as they have to hold on to their self. His loose handling of his materials recalls a face of someone in our own memories, reflecting back at us.
McGriff states, “spontaneous communion between memory fragments and materials...develop narratives about how the individual relates to the group.” Alone, Together reaches towards what’s familiar, through these portraits and stories, to ask what’s more important to us, connecting deeper with ourselves or with each other?
Exhibition on view 09.06.19 through 10.31.19.[+] Show More
Spinello Projects, " Within Time", Agustina Woodgate, Eddie Arroyo
Spinello Projects is delighted to announce the gallery’s re-opening in ...
Spinello Projects is delighted to announce the gallery’s re-opening in Allapattah, located at 2930 NW 7th Avenue, 33127, within the Gesamtkunstwerk Building. The inaugural exhibition, Within Time, will open on ...Sunday, June 9th, from 11am-3pm, with a special presentation of new works by Eddie Arroyo and Agustina Woodgate on the occasion of their participation in the 2019 Whitney Biennial.
Arroyo will show several new paintings from his Developer's Survey series, an ongoing conversation between Miami and New York regarding the discourses of neighborhood prosperity in the current social economic moment. Different methods of communication are presented as literal and verbal discourses through demonstrations - “Taking it to the Streets” - as a form of intense negotiation.
Woodgate will show a new wall-clock sculpture from her National Time series entitled Work Out: a closed-circuit network of eight clocks representing the eight-hour work day, synchronized directly by the power grid. Since the Industrial Revolution, schools, factories, hospitals and offices have used this kind of network architecture--referred to as a “master/slave” configuration--to keep consistent time. A single, digital master clock sends power signals to a series of analog “slave” clocks, commanding synchronized measure across an entire institution. The master keeps steady time based on a pulse transmitted directly from the local power grid, whose frequency is aligned with the atomic clock at the National Institute of Standards and Technology, which establishes official US standard time. The hands of the slave clocks have been fitted with sandpaper. As Work Out progresses, the minute hands of the slave clocks scrape away the numerals on their faces, until they are completely erased. Conditioned by the current state of labor and power, the slave clocks progressively erode their functional value, collectively reclaiming autonomy in the process of disintegration.
SPINELLO PRESENTS A SPECIAL PROJECT BY ANTONIA WRIGHT AND RUBEN MILLARES
Spinello Projects is delighted to present "It Is Not Down On Any Map," a special project located in the lobby of the Gesamtkunstwerk Building. A collaboration between Antonia Wright and Ruben Millares, artists who have been working together for almost 10 years, will feature two new works from their It Is Not Down On Any Map, True Places Never Are series. The sculptures challenge the meaning of the flag in the contemporary world and speaks critically to the rising popularity of nationalism simultaneous to the devastating number of people without a home seeking asylum. The exhibition runs through March 21st, 2020 and coincides with the Progressive Art Brunch series.
Raheleh Filsoofi — "Inh(a/i)bited" — Solo Exhibition
Spinello Projects is delighted to present INH(A/I)BITED, a solo exhibition by multidisciplinary artist Raheleh Filsoofi, featuring a multimedia soundscape installation. The exhibition runs through March 21st, 2020 and coincides with the Progressive Art Brunch series. INH(A/I)BITED is generously supported by Iranian American Foundation.[+] Show More
Spinello projects Dina Knapp (b.1947-2016) Born in Cyprus, raised in ...
Spinello projects
Dina Knapp (b.1947-2016) Born in Cyprus, raised in Haifa, lived in Brooklyn, and studied at Pratt Institute. Ms. Knapp is one of the most respected artists of the Art-to-Wear ...movement, which emerged after the “Summer of Love” in the 1960s. Knapp has received National Endowment and Florida Arts Council fellowships and grants and her work is included in museum and private collections. She has been featured in the book Art To Wear by Julie Schafler Dale and her work has been exhibited at the Legion of Honor museum in San Francisco, the Julies Artisans Gallery, the Textile Museum in Washington, DC, the Barbara Gillman Gallery, the Museum of Art in Ft Lauderdale, the Pittsburgh Center for the Arts, and the Philadelphia Museum of Art
Nicole Doran
Nicole Doran, Digital Shaman consists of a suite of 13 abstract paintings serving as snapshots of the artist’s attitude toward spirituality and magical thinking, and how these, in turn, are influenced by new technologies. While their raw canvases and drippy splattered abstract backgrounds recall outer space computer desktop images—popular in the 1990s, when western Spiritualism was also gaining traction—they additionally serve as matrixes for draped fringe, macraméd ropes, and ceramic ornament, peacefully recalling elements of a shamanic ritual. Intervention with ceramic adornments in some cases becomes figurative—sad face emojis, cell phones, fingers—in reference to harbored anxieties induced by both technology and human emotion. Each painting autonomously combats the fears and dreams that they also imply—group behavior, concepts of collectivity, self-care, and rituals––ultimately questioning whether these are relics of a new digital rite.
Doran states “Doing the actual handwork of painting – brushing, dripping, then rolling clay, making the beads… accumulating… started me thinking about everything fingers provide or produce… and joints and functions, typing and touching and holding a lover but mostly texting… lol… texting is the most important next to typing. These new works subtly hint at this line of questioning… “What is the most important movement do our fingers do?” I’m trying to get to a point of intimacy without proximity… Maybe I do not need to go through the process of engineering a robotic hand but rather do the handwork…”
SINISA KUKEC
SINISA KUKEC, Describing his mixed-media sculptures as “sensually abstract forms” and his body of work as “A Cosmic Post Contemporary Psychedelic Melodrama,” Sinisa Kukec produces amorphous, shining forms that spring from his consciousness and observations of his surroundings. Using an assortment of materials—including discarded furniture, mirrors, ceramic, paint, epoxy, and neon—he crafts wide-ranging forms that read as funhouse portraits of himself and the contemporary world. Perception—of oneself and one’s surroundings—is key to his practice. By incorporating bright colors, reflective surfaces, fragmented objects, and open-ended words and phrases into his sculptures, he aims to unmoor viewers, demonstrating the constantly shifting nature of perception. Kukec expands upon this with 3PQ, an artistic collaborative he co-founded, which stages collective, experiential art making events that blur the boundaries between art and life, fantasy and reality, the self and others.
Agustina Woodgate
Agustina Woodgate creates art across multiple disciplines, her primary focus being the interplay between human beings and their surroundings. Born in Buenos Aires, Woodgate moved to Miami in 2004, where she gained recognition for covertly stitching labels inscribed with poems into thrift-store clothing (“poetry bombing,”) and for her work made with human hair. Today, her practice ranges from objects—human hair sculptures and kaleidoscopic rugs assembled with the pelts of recycled stuffed animals—to site-specific, context-based installations and performances. Striving to create work that fosters human relationships, Woodgate has produced public works such as park benches and color-changing billboards and bus shelters. Exploring an interest in residue and ephemera, she has sanded down the walls of an unused classroom and similarly, erased maps from a world atlas, both times collecting and cataloguing the dust.
Spinello Projects
We @ MSA-X were pleased to revisit the Spinello space after 10 years and see its progress over time. We first want to talk about the vessel “the gallery” that contains all the works of art. The space has an interesting feel, like somewhat of a labyrinth that takes you to large space and guides you through corridors that magically open up. It is a great respect for the work being exhibited, to have such ample space to examine this phenomenon we call art. We want to thank the artists and the gallery for such a great presentation—A must see.[+] Show More
Spinello Projects is a Miami-based contemporary art program founded in 2005. It is a gallery, and an innovative platform for nomadic site-specific and curatorial projects
